
We Are Not Monuments to Death
We, the statues of Ireland Park on Toronto's waterfront, have watched this harbour longer than many who walk beside it. Every day people pause before us, read the inscription, lower their voices, and raise their cameras. They leave believing they have visited a memorial to one of history's darkest tragedies.
If you choose to write about us, begin by correcting that misunderstanding.
We are not monuments to death.
We are monuments to life.
Death accompanied us, but it did not define us. We are the women, the men, and the children who crossed the Atlantic and reached another shore. We are the faces that survived when so many others could not. Our clothes speak of hardship, our bodies of exhaustion, but our feet tell the truest part of the story: they are standing on solid ground.

We have crossed an ocean, buried friends, carried memories heavier than luggage, and still found the strength to lift our hands toward life. That single gesture is why we stand here.
Yet our story did not begin in Toronto.
If you wish to understand why we crossed an ocean, do not ask those who arrived.
Listen instead to those who still stand where our journey began.
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The Shore We Had to Leave
We, the statues of the Irish Famine Memorial in Dublin, still face the sea.

The Famine Memorial on Custom House Quay in Dublin, created by Irish sculptor Rowan Gillespie. The figures represent those forced to leave Ireland during the Great Famine.
Photo: Kathrina Schmidt / Wikimedia Commons, licensed under CC BY-SA 3.0.
We stand in the final moments before departure, carrying the silence of an island that changed forever in 1845, when a disease known today as Phytophthora infestans spread through the potato fields. Within weeks, crops that had sustained millions collapsed beneath the soil. For families whose survival depended almost entirely on potatoes, the earth itself seemed to withdraw its promise of tomorrow.

Bridget O’Donnell and Her Children, published in The Illustrated London News, 22 December 1849. O’Donnell described the eviction of her family while she was ill with fever and the death of her thirteen-year-old son from hunger. Public domain; digital image via Wikimedia Commons.
Many remember only the blight.
We remember everything that came with it.
We remember parents pretending they were no longer hungry so that children would eat the last potato. We remember fields turning black while ships loaded with grain, cattle, and butter continued to leave Irish ports. We remember landlords demanding rent from families who had nothing left to harvest, villages emptied by eviction, and roads filled with people walking toward ports they had never imagined they would see.

Boy and Girl at Cahera, by James Mahony, published in The Illustrated London News, 20 February 1847. The illustration depicts two starving children searching the ground for a potato near Skibbereen, County Cork. Public domain; digital image via Wikimedia Commons.
History would later call it the Great Famine.
We knew it simply as the years when home could no longer keep us alive.
In 1847, remembered as Black '47, desperation reached its deepest point. Thousands boarded overcrowded vessels that later became known as coffin ships because too many passengers never reached the opposite shore. Disease travelled with us. So did grief. Every departure carried uncertainty, yet every departure also carried a decision that no famine could erase.

Henry Doyle, Emigrants Leave Ireland, 1868. Published in Mary Frances Cusack’s An Illustrated History of Ireland from AD 400 to 1800. The engraving depicts an Irish family bidding farewell as emigrants depart by ship. Public domain; digital image via Wikimedia Commons.
We did not leave because we loved Ireland less.
We left because we refused to stop loving life.
Long before we stepped aboard those ships, another ancient story had already warned humanity about famine. Joseph interpreted Pharaoh's dream and spoke of years of abundance followed by years of hunger. Wisdom lay in preparing before the harvest failed. Our island also received a warning, but warnings matter only when they are answered with justice, compassion, and foresight.
Ours were not.
And so the sea became our final road.
If you wish to know what awaited us at its end, listen once more to those who reached the other side.
The Shore We Reached
We are the statues of Ireland Park once again.
The water before us is no longer the Atlantic but Toronto Harbour, yet every wave still remembers the crossing.
When the ships arrived in 1847, Toronto was a town of barely twenty thousand people. Nearly thirty-eight thousand Irish immigrants reached its shores that year alone. Many collapsed before they could begin a new life, weakened by typhus and the long voyage across the ocean. Fever sheds were built nearby to care for the sick, and many who had survived the crossing never survived the illness that followed.
We remember them.
Our companions in Dublin remember the leaving.
We remember the arriving.

Together, we remember the whole story.
Look carefully at us, and you will notice that none of us is looking backward. We do not stand here mourning the sea we crossed. We stand facing the city that slowly became our home, because survival is never the end of a story. It is only the beginning of another.
The children who survived became parents.
Their children became builders, teachers, nurses, dockworkers, musicians, writers, neighbours, and citizens. They helped shape the streets around us, just as countless other newcomers would shape Toronto after them.
That is why this place is called Ireland Park.
Not because Ireland ended here.
Because Ireland continued here.
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We Said Yes to Life
Now there is no longer a distance between us.
We, the statues in Dublin, and we, the statues in Toronto, speak with the same voice, for the Atlantic no longer separates our story. It joins its beginning to its continuation.
One shore remembers departure.
The other remembers arrival.
Neither can exist without the other.
If you leave these memorials carrying only images of sorrow, you have not heard us.
Carry instead the truth we have guarded in bronze and stone.
We are not monuments to death.
We are monuments to life.
We crossed because hope is stronger than fear.
We endured because memory is stronger than loss.
We remained because tomorrow is always worth reaching.
Many years later, another son of Dublin, James Joyce, would close one of the greatest novels ever written with a single word that echoed far beyond literature.
We had spoken that word long before it appeared on a page.
We spoke it when we stepped aboard the ships.
We spoke it when we buried those we loved.
We spoke it when we built new homes beside another harbour.
We spoke it in Dublin.
We spoke it in Toronto.
We speak it still.
Yes.
YF, July 22, 2026
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