A few weeks ago, I wrote about William Lyon Mackenzie and the house where he spent the final years of his life. At the end of that story, I promised I would return—not to the man whose portrait hangs on the walls of Mackenzie House, but to the women whose lives unfolded behind those same walls.

Isabel Baxter Mackenzie, Painted by Ida C. Jones. Credit: Library and Archives Canada, Acc. No. 1996-116-16 William Lyon Mackenzie King Collection, Laurier House.
A few days ago, I kept that promise.
I spent nearly an hour speaking with two historians at the museum. By the time I transcribed our conversation, it had become twelve pages. Then came the biographies, newspapers, photographs, letters, and archival records. Every answer led me to another question. Strangely, every question still led me back to William Lyon Mackenzie.
It was well past midnight when I closed my laptop.
I do not remember falling asleep.
I only remember hearing a woman's voice.
"Why are you still looking for Mackenzie?"
She stood across the table, where my books had been only moments before.
"I wasn't looking for him," I replied. "I spent the whole day researching the women in his life."
She smiled.
"No.
"You spent the whole day researching my husband."
I looked at the notes scattered across my desk.
"Who are you?"
"That depends on which archive you searched.
"In one newspaper I am Mrs. William Lyon Mackenzie. In another, Mrs. W. L. Mackenzie. Sometimes I am 'his wife.' My own name rarely seemed important enough to record."
She paused.
"But tonight... would you ask me for my name instead of his?"
"Yes."
She held out her hand.
"My name is Isabel Baxter Mackenzie."

Isabel Baxter Mackenzie, artist unknown (Object No. 1960.1556.19A). Courtesy of Mackenzie House.
I reached for my notebook.
She gently stopped me.
"Not yet.
"You have spent the whole day writing about William."
A quiet smile crossed her face.
"Tonight, let me tell you my story."
I closed my notebook.
"I'll listen."
She began.
"My story begins in December 1837.
"My husband had led an uprising against the colonial government of Upper Canada. The Rebellion failed. William fled. History remembers all of that. It remembers where he escaped, who pursued him, and how he eventually reached Navy Island.
"What history rarely remembers is what happened after he left.
"The soldiers came to our home looking for William.
"They found me.
"I had children in the house. Every knock on the door carried the possibility of arrest, violence, or loss. There were letters, lists, and documents everywhere. I knew that in the wrong hands, a single page could become evidence against someone I loved.
"So I burned them.
"I hid whatever valuables I could before they were taken. People often imagine courage as something loud. It seldom is. More often, courage is deciding what must be saved—and what must disappear forever."
"Were you afraid?" I asked.
"Every moment.
"But fear has never stopped history. Neither should it stop us."
She continued as though she had been waiting years to finish the story.
"William had escaped, but our family was still trapped. I knew I had only one chance.
"So I went to see Sir Francis Bond Head, the Governor of Upper Canada—the very man searching for my husband.
"I asked him for a passport.
"I expected him to refuse.
"He didn't."
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She smiled.
"History says he gave William Lyon Mackenzie a way out.
"I remember it differently.
"He handed a passport to a woman standing alone.
"I crossed to Navy Island, where William and the remaining rebels had gathered after the failed uprising. When Navy Island could no longer be held, we crossed into the United States. We left our home behind and began a life we had never imagined. We did not know how long exile would last. We only hoped that one day it would end.
"People often say I was the only woman there.
"That is true.
"But do not mistake being physically alone for being the only woman carrying such burdens.
"There was Maria Wait, trying desperately to save her husband's life. There was Elizabeth Lount after Samuel Lount's execution. There were wives whose homes were searched, mothers trying to calm frightened children, daughters learning that politics could arrive at the front door before sunrise.
"We did not share the same house.
"We shared the same history."
She paused before continuing.
"Our exile did not end when we reached the United States.
"William was arrested there, and once again our future became uncertain.
"People saw a political prisoner.
"I saw eighteen months."
"Eighteen months of wondering whether every meal would be his last.
"I carried food to the prison because I feared someone might poison him. If he was going to eat, I wanted to know exactly where that food had come from.
"While the newspapers wrote about William's imprisonment, the house still needed firewood. The children still needed their mother. Bills still arrived. My mother-in-law needed care.

William Lyon Mackenzie, artist unknown (Object No. 1960.1555.19A). Courtesy of Mackenzie House.
"No one declared me head of the household.
"Necessity did."
She looked at me.
"Revolutions have a way of asking ordinary families to pay extraordinary prices.
"We lost our little daughter.
"Our eldest daughter, Barbara, was only twelve. She watched her father become a wanted man. She heard adults whisper about executions. She lived for weeks not knowing whether either of her parents would survive.
"Years later, people wondered why she struggled.
"I always wondered how she managed not to break sooner.
"There are griefs that never become history.
"They simply remain inside a family."
The room was silent.
After a while she continued.
"William came home.
"He kept writing.
"He kept serving the public.
"Then one day he was gone.
"But I still had one last battle to fight.
"The government still owed William the salary he had earned before the Rebellion. Many thought a widow should accept what history had left her. I chose to ask the law instead.
"So I took the government to court.
"And I won."
"You never stopped fighting," I said quietly.
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She shook her head.
"I simply fought different wars."
She looked at my notebook.
She leaned forward.
"You have listened to everything I have told you.
"Now answer me this.
"What do you call a woman who burns evidence to protect her family... who stands before the governor pursuing her husband... who crosses into exile... who keeps a household alive through imprisonment... who buries a child... who raises frightened children... and who, years later, stands before the government to demand justice?"
She let the silence answer for itself.
"If that is not rebellion..."
"...what is?"
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Neither of us spoke.
Finally I asked, "Why did you come tonight?"
She looked at the pile of books one last time.
"Because you promised to write about the women.
"For generations, our names lived in the footnotes.
"History did not always erase us.
"It simply moved us into the margin.
"Your generation has another choice."
"What choice?"
She looked directly at me.
"Bring a woman's name from the margin into the text."
The room disappeared.
Morning light was spilling across my desk.
The books were still open.
The interview transcript was still beside my laptop.
I opened my notebook once more.
This time, I did not begin with William Lyon Mackenzie.
I began where Isabel had asked me to begin.
With the name history had left in the margin.
Isabel Baxter Mackenzie.
YF, July 29, 2026.
This narrative came to life thanks to the generous support, thoughtful guidance, and unwavering encouragement of Danielle and Nathan.

Danielle Urquhart is the Museum Coordinator of Mackenzie House. She has worked at Mackenzie House since 2000. Danielle has also worked at some of the other City of Toronto Museums: Gibson House, Spadina House and Fort York! Nathan Smith is the (Acting) Program Officer at Mackenzie House Museum. He has been a staff member with Toronto History Museums since 2018, having worked at the Mackenzie House and Montgomery’s Inn locations.
After reviewing the story, Danielle shared several important historical clarifications.
Danielle: To add, Bond Head did not give Isabel an easy time over the passport. But she persevered. This is from the Albany Argus newspaper, December 1837:

Danielle: Bond Head very much wanted Mackenzie captured, hence all the reward posters. He did not want to give Mackenzie a way out, and it’s hard to assess his attitude to Isabel. Was helping her reach Navy Island a moment of chivalry? Did he regret insulting her when she asked for a passport? Or was it an attempt at surveying the rebel encampment? Here are the recollections of Bond Head’s servant, James Alexander, 60 years later (Daily Mail and Empire, June 5, 1897)



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